Love (agape/eros) is a transmissive entanglement which, while catalyzed in a limited set of domains, acquires a form of infinite extent roughly equivalent to inexhaustible meaning. This entanglement warps biocognitive time. One of the methods involves the sustained assembly and sharing of a peculiar mode of catalytic content. This content is compressed, exchanged, compared, sorted, and integrated as if my some magical process, invisible to both our eyes and our understanding.

Participants are swept into a musically emotive dance of high-speed asset exchange, critique, and enhancement: creative, emotional, linguistic, poetic… all invisible. Although I describe this somewhat mechanically, the process is nothing like mechanism, and is everywhere enthusiasm, play, and enchantment.

Love’s silent momentum assembles an invisible ‘university’ (universe-city – a microcosm of timespace itself) which exists in a private domain accessible only to the participants. The ‘subjects’ here on offer admit no mortal description — all are superpositions of topic — knowledge whose modes and functions are too swift and true for language, and too mercurial for any other mere representation… though perhaps art and music chase this possibility…